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"This is a small step for me, but a big step for mankind." Armstrong in the eyes of the public defined him in one sentence. But there is also disagreement in it, you can read the pride, humility, and selflessness. First Man (2018) director Damien Chazelle, reinterpreted this sentence.
First Man (2018)
In the film, since Armstrong interviewed NASA astronauts, he has answered two questions.
Why come to participate in the moon landing program? ——Because there is an unknown place for human beings.
In the last scene in [Burst Drummer], Damien used a lot of lenses to move and cut, making the final match of the master and apprentice thrilling. The body of the audience also resonated with the rhythm of the drumbeat and oscillated together.
In [First Man on the Moon], such physiological shocks run through the film.
From the beginning, Damien used a lot of partial close-ups to amplify his emotions and every bump in the flight.
The camera shakes violently, and the friction between the body and the air is deafening. The audience seems to have experienced a life-and-death flight, which perfectly interprets the charm of the movie.
First Man (2018)
Director
: Damien Chazelle
screenwriter : Josh Singer / James Hansen
Starring : Ryan Gosling / Claire Fu Yi / Jason Clarke / Kyle Chandler / Korey Swan Thor / more ...
type: Drama / biography / history
countries / regions: United States / Japan
language: English
release date: 2018-08-29 (Venice film Festival) / 2018-10-12 (USA)
pieces Length: 141 minutes
aka: First person / Pioneer on the Moon (Taiwan) / Person who loves the Moon (translated by Dou You)
In the film, since Armstrong interviewed NASA astronauts, he has answered two questions.
Why come to participate in the moon landing program? ——Because there is an unknown place for human beings.
In the last scene in [Burst Drummer], Damien used a lot of lenses to move and cut, making the final match of the master and apprentice thrilling. The body of the audience also resonated with the rhythm of the drumbeat and oscillated together.
In [First Man on the Moon], such physiological shocks run through the film.
From the beginning, Damien used a lot of partial close-ups to amplify his emotions and every bump in the flight.
The camera shakes violently, and the friction between the body and the air is deafening. The audience seems to have experienced a life-and-death flight, which perfectly interprets the charm of the movie.