Visual / Drishyam (2013) is an excellent Indian film about a man who takes on the black police to keep his family out of jail. The problem with Indian films is that they drag, and this one is no exception. 160 minutes would be perfect if compressed. If you think about it, the director set the story in 160 minutes can be tolerated, after all, to use a long time to pave the way, to tell the details of a happy family, harmonious neighborhood relations, as well as the black money of the police, the tension between the police and the people, etc., need a long length. But in fact, it can be reduced, some matting is not necessary too much, the director is reluctant to give up even a little. This also led to the film did not enter the exciting stage in time. The first half of the film is a gentle family drama, the second half of the film finally gets me excited.
The son of the district police chief was mistakenly killed after threatening the man's daughter and wife with a candid video of nudity. In order to protect his wife and daughter, the man begins a series of operations, making alibi, a series of wonderful settings to make people dazzling.
Moreover the theme of the story is full of justice, which is not weakened by any power. The story can be interpreted in a way that makes the audience go deep into it and marvel at the superb thinking of the editor, which is still worth watching.
The Indian film Visual / Drishyam (2013) is also full of innovative features to be able to tell a story based on facts, rather than fabricating a nonsensical and irrational plot. Here, there is a contest of authenticity and competence, not identity.
The son of the district police chief was mistakenly killed after threatening the man's daughter and wife with a candid video of nudity. In order to protect his wife and daughter, the man begins a series of operations, making alibi, a series of wonderful settings to make people dazzling.
Moreover the theme of the story is full of justice, which is not weakened by any power. The story can be interpreted in a way that makes the audience go deep into it and marvel at the superb thinking of the editor, which is still worth watching.
The Indian film Visual / Drishyam (2013) is also full of innovative features to be able to tell a story based on facts, rather than fabricating a nonsensical and irrational plot. Here, there is a contest of authenticity and competence, not identity.
